Grey Gardens
by Doug Wright, Scott Frankel, Michael Korie
Directed by Kent Nicholson
TheatreWorks, Palo Alto, CA
Beth Glover gives a consummate performance in the dual role of Edith in the first act and Little Edie in the second act. She miraculously morphs from the attention-famished society matron who loves to sing to the touching, frustrated eccentric 46-year-old woman in the second act. Her opening number in the second act, "The Revolutionary Costume for Today," is catching and reminds me of the patter songs that Kay Thompson used to sing. Glover captures Edie's physical mannerisms and Long Island drawl. It's a staggering double performance by this gifted singer. Her closing number, "Another Winter in a Summer Town," is passionate. -- TheatreMania
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In that priceless supermodel gait gone dowdy, Glover plays the hell out of the Edie role, a woman who annotates herself in streams of chatter but then appears to drop out of existence at a withering word from Mother. -- MetroActive
Native Gardens
by Karen Zacarias
Directed by Tinashe Kajese-Bolden
Virginia Stage Company
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Beth Glover is delightfully snobbish as Virginia Butley. Favorite moment is when she blows cigarette smoke in the neighbor's yard. -- Virginian Pilot
Rodgers & Hammerstein's Cinderella
by Richard Rodgers, Oscar Hammerstein II, Douglas Carter Beane
Broadway 1st National
Directed by Mark Brokaw
Beth Glover (the wicked stepmother, Madame) is a scream as Cinderella’s delightfully wicked torturer.
--Star-Ledger
Beth Glover has a wry style akin to Rue McClanahan as Ella’s ambitious stepmother, Madame. -- LaDue News
Beth Glover, who mixes camp with evil as Madame, the stepmother. -- Cincinnati Inquirer
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The wicked stepmother, Madame, played by Beth Glover who provides just the right amount of snark to the role. I especially love when she ponders sarcastically, “Why don’t I have any friends?” after delivering a few especially nasty lines.
--OneGirlTwoCities
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A special nod goes to the hilarity of the stepfamily, with Beth Glover zinging sugar with snark as manipulative Madame. -- Hooplanow
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Take Me Along
by Joseph Stein and Bob Merrill
Irish Reperatory Theatre
Directed by Charlotte Moore
Beth Glover brings warmth and humor to the spinster Aunt Lily , culminating in an endearing performance of Merrill’s fine character study, “Promise Me a Rose.” Stephenson and Glover eventually join together, with a couple of gentle tugs at the tear ducts in their final scenes. -- Variety
But if any role has the ability to steal the thunder it is that of spinster sister Lily (Beth Glover). Her red hair and radiant looks give the musical more sparkle than do the occasional flash of fireworks. Despite the burden she has to expend energy on intimating she is in love with a jerk, she is a delight reflecting the coy side of her nature with "I Get Embarrassed." -- CurtainUp
Round and Round the Garden
by Alan Ayckbourn
Directed by John Christopher Jones
The Depot Theatre
As the near-sighted Ruth who refuses to wear her glasses, Beth Glover does what amounts to a comic ballet with an intractable lawn chair. Her lawn chair scene with Tom reveals her quick tongue and cynicism. -- NCPR
A Streetcar Named Desire
by Tennessee Williams
Pendragon Theatre
Directed by Karen Kirkham
Beth Glover brings Blanche DuBois to life like no other actor I have ever seen. It's not just the authentic accent, every inch of her body believes it is Blanche; her shaking hand whenever she pours a drink, her deep sighs that show she is racked with the guilt of her young husband's death. -- AdirondackBlog
It Shoulda Been You
Mason Street Warehouse
by Barbara Anselmi & Brian Hargrove
Directed by Kurt Stamm
Speaking of the mother of the groom, Beth Glover’s Georgette Howard is a work of art. She drinks, she mourns her son’s marriage and she shows that age is no barrier to good sex.
Glass Menagerie
by Tennessee Williams
Pendragon Theatre
Directed by Karen Kirkham
Glover's Amanda is brilliant. She pulls from her own Mississippi roots to fill the stage with southern charm as she wages a last ditch campaign to marry off her recluse, shy daughter Laura (Liv Paulson). Glover draws the spotlight to her with each drawl whether she purses her lips in disappointment or clasps her hands in childlike glee. --AdirondackBlog